“Iâm not sure quite how long Iâve known photographer Edmund Clark. I think we met in 2008 when he had published a book of photographs, Still Life: Killing Time, taken in British prisons, which captured the essence of his work: objects or places, beautifully photographed, with seemingly effortless clarity and composition, that provide an insight into aspects of prisonersâ experience. Mundane in many cases, or metaphorical, or, in other cases, dream-like, they seem to allow room to reflect on the human beings whose lives are marked out by these spaces, or are reflected in these objects.”