“The Global War on Terror has been presented in the media mostly with images of nighttime tracer fire, IED explosions, fatigued soldiers and Guantanamo razor wire — depicting a spectacle easily dismissed as happening “over there,” far from western suburbia. By contrast, Edmund Clark‘s photographs of an unremarkable British semi-detached home makes the amorphous war relateable. Control Order House is a top-to-bottom survey of a three-bedroomed residence in which a pre-trial, UK terror suspect lives under house arrest.”